10 Best slow mo camera List And Buyer’s Guide By Expert

Discover the excellence of slow mo camera when you refresh your collection of slow mo camera today. Here are the best slow mo camera you can buy.

slow mo camera

Are you still confused for how to select top slow mo camera? Then don’t buy before you read this review and guide. Compare and choose the best from our selection.

If you’re willing to pay top dollar for absolutely gorgeous slow mo camera, this post is for you.

Take your time in reading through this best slow mo camera review and trust that you would find the best that you would need.

At A Glance For Best slow mo camera for You

If you’re in a hurry, then here’s the list of the best slow mo camera:

    1. Best Rated: Canon EOS 90D DSLR Camera with …
    2. Top Pick: Canon EOS R Mirrorless Digital Camera …
    3. Overall Best: PANASONIC LUMIX GH4 Body 4K Mirrorless …
    4. For The Money: Fujifilm X-T4 Mirrorless Camera Body – …
    5. Best Budget: Canon PowerShot ELPH 180 Digital Camera …
    6. Goog Reviews: slow Jo 17 – Swiss Made …
    7. Overall Good: Sony DSC-RX10 III Cyber-shot Digital Still …
    8. Great Performance: slow Jo 19 – Swiss Made …
    9. Cheap Price: Insta360 GO Action Camera + Sandisk …
    10. Cheap One: Canon EOS 90D DSLR Camera with …0

First, let’s take a look at the top-rated slow mo camera, then we’ll read our full research review below to select the best product.

Image Product Name Rating Price
USER FRIENDLY

Canon EOS 90D DSLR Camera with EF-S 18-135mm f/3.5-5.6 is USM

Canon EOS 90D DSLR Camera with EF-S 18-135mm f/3.5-5.6 is USM

Features: This Canon Camera Bundle comes a One , Canon EOS 90D DSLR Camera – Key , Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens

4.8
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EDITOR’S CHOICE

Canon EOS R Mirrorless Digital Camera (Body Only) and Mount Adapter

Canon EOS R Mirrorless Digital Camera (Body Only) and Mount Adapter

Features: This Canon EOS R Body Only Camera , Canon EOS R (Body Only) Camera – , Camera Features – Digital Lens Optimizer minimizes

4.7
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BUDGET PICK

PANASONIC LUMIX GH4 Body 4K Mirrorless Camera, 16 Megapixels, 3 Inch

PANASONIC LUMIX GH4 Body 4K Mirrorless Camera, 16 Megapixels, 3 Inch

Features: Professional photo performance with exceptional moiré suppression , Operating temperature:0 degree to 40 degree (32 , High speed 49 area auto focusing in

4.6
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MY CHOICE

Fujifilm X-T4 Mirrorless Camera Body - Black

Fujifilm X-T4 Mirrorless Camera Body – Black

Features: Putting stability in your hands: A huge , Performance you can rely on: For any , Find the best angle for your story:

4.6
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TOP PICK

Canon PowerShot ELPH 180 Digital Camera w/Image Stabilization and Smart AUTO

Canon PowerShot ELPH 180 Digital Camera w/Image Stabilization and Smart AUTO

Features: 8x Optical Zoom with Optical Image Stabilizer , 20.0 Megapixel CCD sensor combines with the , 720p HD video capabilities. Product Dimensions(W x

4.3
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HONEST PRODUCT

slow Jo 17 - Swiss Made one-hand 24 hour watch -

slow Jo 17 – Swiss Made one-hand 24 hour watch –

Features: One-hand watch with Swiss 24 hour GMT , 100 meter water resistant case made of , Raised extra hardened K1 mineral glas with

4.1
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No #1 PRODUCT

Sony DSC-RX10 III Cyber-shot Digital Still Camera

Sony DSC-RX10 III Cyber-shot Digital Still Camera

Features: High zoom 24-600mm (25x) F2.4-4.0 ZEISS Vario-Sonnar , Super slow-motion movie HFR (High frame rate) , Enhanced operability w/ independent focus, zoom and

4.1
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FOR THE MONEY

slow Jo 19 - Swiss Made one-hand 24 hour watch -

slow Jo 19 – Swiss Made one-hand 24 hour watch –

Features: Imported , Made in Switzerland; Using a Swiss 24 , 100 meter water resistant case made of

4.1
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FOR YOU

Insta360 GO Action Camera + Sandisk 64GB SD Card + Spike

Insta360 GO Action Camera + Sandisk 64GB SD Card + Spike

Features: TIMELAPSES FROM ANY ANGLE – Shoot fixed-perspective , BUILT FOR THE HIGHLIGHTS – GO shoots , THE WORLDS SMALLEST STABILIZED CAMERA – GO

4.0
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Cheap Product

slow Mo 08 - Swiss Made one-hand 24 hour watch -

slow Mo 08 – Swiss Made one-hand 24 hour watch –

Features: One-hand watch with Swiss 24 hour GMT , 100 meter water resistant case made of , Raised extra hardened K1 mineral glas with

3.7
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Best slow mo camera Reviews and Buying Guide

Below we have reviewed the best slow mo camera. From these products you can choose the product of your choice if you want.

1. Canon EOS 90D DSLR Camera with EF-S 18-135mm f/3.5-5.6 is USM

Canon EOS 90D Situated as a versatile camera with capable photo and video traits, the Canon EOS 90D is a sleek DSLR also characterized by its high-resolution 32.5MP APS-C CMOS sensor. This updated sensor design achieves enhanced image clarity, resolution, and dynamic range, along with adept sensitivity to ISO 25600 and low noise to suit working in a variety of situations. Combined with advanced image processing, this sensor is also capable of outputting UHD 4K30p and Full HD 120p video, as well as supporting continuous stills shooting rates up to 10 fps.

Pros: 32.5MP APS-C CMOS Sensor 3.0″ Vari-Angle Touchscreen UHD 4K30p & Full HD 120p Video Recording Upto 10 fps Shooting Built-In Wi-Fi Connectivity This Premium Kit includes: Canon EOS 90D DSLR Camera Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens Tamron 70-300mm f/4-5.6 Di LD Macro Autofocus Lens Backpack Camera Case Deluxe Replacement Battery Grip for EOS 90D Commander Speedlight TTL Flash Commander Pro Microphone Monopod 2x 64GB Sandisk Memory Cards 3 Piece HD Filter Kit High Definition UV Filter 4 Piece HD Macro Close Up Kit Steady Grip Tripod 0.43x Wide Angle Auxiliary Lens 2.2x Telephoto Auxiliary Lens Canon Wide

Neck Strap Canon Battery Pack Canon Battery Charger Extra Replacement LP-E6 Generic Battery HDMI Cable AC/DC Car and Home Multi Purpose Travel Charger High Speed Memory Card Reader Wireless Remote Tulip Lens Hood Lens Pen & Blower Lens Cap Keeper

Canon EOS 90D DSLR Camera with EF-S 18-135mm f/3.5-5.6 is USM Lens + Tamron 70-300mm AF Lens, Battery Grip with Advanced Professional Photo & Travel Bundle

  • This Canon Camera Bundle comes a One Year Seller Warranty.
  • Canon EOS 90D DSLR Camera – Key Features: 32.5MP APS-C CMOS Sensor – DIGIC 8 Image Processor – UHD 4K30p & Full HD 120p Video Recording – 3″ 1.04m-Dot Vari-Angle Touchscreen LCD – Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens
  • Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens – EF-S Mount Lens/APS-C Format – 28.8-216mm (35mm Equivalent) – One UD Element & One Aspherical Element – NANO USM Autofocus System – Image Stabilizer and Dynamic IS + Tamron 70-300mm f/4-5.6 Di LD Macro Autofocus Lens
  • Replacement Battery Grip for your Canon DSLR offers both extended battery and a more comfortable grip when shooting in the vertical orientation. The grip accepts two batteries to effectively double the battery life for long shooting sessions.
  • Speedlight Automatic Multi Mode TTL Flash – Steady Grip Tripod – Commander Microphone – Monopod – Filters – Macros – Auxiliary Lenses & More..
Most Frequently Asked Question:

1. What brand of Battery Grip comes with this bundle?

Commander optics

2. Is this internstional version?

I don’t believe it is. I recommend you call the dealer to make sure.
What Real Customers Say About This Product?

Erik says: “The package arrived on time, in good condition and everything inside was undamaged. Kudos to the company for an excellent bundle and packaging it all together.
The package arrived on time, in good condition and everything inside was undamaged. Kudos to the company for an excellent bundle and packaging it all together..

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3. Canon EOS R Mirrorless Digital Camera (Body Only) and Mount Adapter

The first step in Canon’s mirrorless evolution, the EOS R pairs a redeveloped lens mount and updated full-frame image sensor for a unique and sophisticated multimedia camera system. Revolving around the new RF lens mount, the EOS R is poised to be the means from which to make the most of a new series of lenses and optical technologies This bundle from Paging Zone Camera also includes: Canon EOS R Mirrorless Digital Camera (Body Only) Mount Adapter EF-EOS R from Commlite 5 Pack Video/Photo Editing Softwares Professional Microphone with Windshield 2 Piece 64GB Sandisk Memory Cards Canon Neck Strap Canon

LP-E6 Battery and Canon LC-E6 Charger Extra Replacement Battery for Canon EOS R AC/DC Travel Charger Deluxe Backpack for Camera, Lenses and Accessories Monopod Grip Strap Wired Remote with LCD Display

Canon EOS R Mirrorless Digital Camera (Body Only) and Mount Adapter EF-EOS R Bundled + Deluxe Accessories

  • This Canon EOS R Body Only Camera + Adapter Bundle from Paging Zone offers an ideal professional experience. It comes with All Standard Canon Supplied Accessories and 1-Year Seller Warranty. The Bundle includes :
  • Canon EOS R (Body Only) Camera – 30.3MP Full-Frame CMOS Sensor – DIGIC 8 Image Processor – UHD 4K30 Video; C-Log & 10-Bit HDMI Out – Dual Pixel CMOS AF, 5655 AF Points – 3.69m-Dot OLED Electronic Viewfinder – 3.15″ 2.1m-Dot Swivel Touchscreen LCD – Expanded ISO 50-102400, 8 fps Shooting – Wi-Fi and Bluetooth, SD UHS-II Card Slot – Multi-Function Bar, Dual Pixel RAW
  • Camera Features – Digital Lens Optimizer minimizes appearance of optical aberrations(diffraction). Multi shot noise reduction records 4 seq. exposures to combine them in-camera for smooth tones and low noise images. Language Support : English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Chinese, Korean, Malay, Indonesian, and Japanese
  • Mount Adapter EF-EOS R – Extending the range of compatible lenses, this a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions
  • Also includes – 5 Pack Video/Photo Editing Softwares – Professional Microphone with Windshield – 2 Piece 64GB Sandisk Memory Cards – Canon Neck Strap – Canon LP-E6 Battery and Canon LC-E6 Charger – Extra Replacement Battery for Canon EOS R – AC/DC Travel Charger – Deluxe Backpack for Camera, Lenses and Accessories – Monopod – Grip Strap – Wired Remote with LCD Display
Most Frequently Asked Question:

1. I have a cannon 5d mark iv with all sigma lenses .. is the adapter compatible with sigma lens?

I can’t say 100% but I would assume if the Sigma lenses fit the 5d EF mount without an adapter then they should work fine. The adapter is just a pass through and it distances the lenses away from the sensor since there is no mirror.

2. How is the microphone, and the adapter? I’m looking to buy this and I want to see how they both are.

The microphone performs very good and the adapter works awesome with all my ef lenses n sigma n tamron lens as wellI love it

3. what brand mount adapter and what brand extra battery? is everything Canon?

My adapter is Ommlite. The Canon brand has the built in filters though. I have both a Canon and a Vivatar LP-E6N battery. Both work well.

4. Does this come in a safe box?

Yes it came in a secured box inside of a larger shipping boxthere will be a sheet with all the software codes. I am very happy with mine
What Real Customers Say About This Product?

Eugenia K says: “This camera was an upgrade from a cropped sensor Canon 60D and the following are the changes that I noticed the most. The bigger pixels capacity requires improved focusing techniques and the lack of in-built IS is made it very difficult to shoot handheld, however, the bigger and newer sensor dramatically improved noise and grain. For me, the fully articulated screen was a deal-breaker when it came to considering other mirrorless brands and this camera’s screen is also big with excellent image quality. Shorter battery life requires having a second (or better third) spare piece for all-day shooting sessions; the tracking
This camera was an upgrade from a cropped sensor Canon 60D and the following are the changes that I noticed the most.
The bigger pixels capacity requires improved focusing techniques and the lack of in-built IS is made it very difficult to shoot handheld, however, the bigger and newer sensor dramatically improved noise and grain.
For me, the fully articulated screen was a deal-breaker when it came to considering other mirrorless brands and this camera’s screen is also big with excellent image quality.
Shorter battery life requires having a second (or better third) spare piece for all-day shooting sessions; the tracking AF is slow, in my opinion. The camera body doesn’t feel as sturdy and weather-sealed as my 60D was, but I felt that SONY’s bodies are far worse. I am in Utah’s dry, dusty environment, and I feel that CANON’s well-built bodies are more reliable in harsh environment like this..

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5. PANASONIC LUMIX GH4 Body 4K Mirrorless Camera, 16 Megapixels, 3 Inch

Color:Black | Style:Base | Configuration:Base The Panasonic Lumix DMC-GH4 4K Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840×2160 30p/24p and cinematic DCI 4K 4096×2160 video at 24p. Like its predecessor, the GH4 features a weather-sealed magnesium alloy body, while offering increased resolution on both the OLED monitor and electronic viewfinder.

It also features built-in Wi-Fi with NFC technology, in-camera creative controls, and a high-speed 49-point autofocus in both photo and video mode. Use within the communication range of the device to be connected.

PANASONIC LUMIX GH4 Body 4K Mirrorless Camera, 16 Megapixels, 3 Inch Touch LCD, DMC-GH4KBODY (USA Black)

  • Professional photo performance with exceptional moiré suppression
  • Operating temperature:0 degree to 40 degree (32 degree F to 104 degree F); 4K 24p cinematic video (4096×2160), plus 4K 3840×2160 30p/24p
  • High speed 49 area auto focusing in photo or video, perfect for hybrid photography
  • Durable magnesium alloy body and exceptional shutter life meets the demands of professional use
Most Frequently Asked Question:

1. Does the GH3 have any advantages over this camera besides the price?

GH3 has zero advantages. GH4 not only has 4k video (8mp frame grabs), it has many other features lacking in the GH3. GH4 has 12fps burst shooting, *much* larger buffer, high-speed shooting option, etc. See dpreview side-by-side comparison.

2. i have several canon lenses, can i use them with this camera?

If you buy a canon to m4/3 adaptor you can use your lenses.However, there are some caveats to know about this.1)If they are autofocus lenses, the autofocus will not work.So it will be pure old school manual focus.2)If there is no manual aperture change ring on your lens you can buy an adaptor that will mechanically change the aperture.However, other than full open of full closed, you will be guessing at the f stop.3)m4/3 has a 2x crop over 35mm.So if your lenses are for a 35mm sensor (i.e. 35mm film or digital sensor), the effective focal length will be x2.That means if you have a 50mm f/1.8 it will act like a 100mm f/1.8 as far field of view goes.As far as DOF it will still act like a 50 f1.8 but you will be standing 2x as far away so you will have a ~2 stop wider DOF.4)The camera does not come setup to shoot other lenses. You have to go into the menus and switch on shoot w/o lens.Since there will be no electrical connections your camera will not think there is a lens attached and won’t shoot otherwise.5)Since there are no electrical connections, you will not get any lens information embedded into your meta data.I think that about covers it.

3. I have Olympus E-PM1. Will the kit lens that came with it work on the GH4? If so, it can save a lot of money if quality is good.

I don’t know what the kit lens is. I use an Olympus 12-40 f2.8 and it’s fine, even hand held to about 1/40s. Those with a steadier hand could probably do better than me

4. The Atomos Shogun will record 4K 10 bit 4:2:2, but when this camera outputs 4K or UHD through the micro HDMI output, what is the best signal produced?

the best signal could be 10 bit but the content also s/n ratio also the light dynamic is 8 bit because of 100-25600 ISO mark3 is 10 bit http://dslrvideoshooter.com/panasonic-gh4-4k-video-camera-specs-released-4k-demo-footage/
ISO 200-25600 (Extended Mode: 100-25600)
What Real Customers Say About This Product?

Chris MajesticTop Contributor: Smart Home says: “I bought this camera to do product review videos on YouTube. My goal was to provide high quality reviews so I knew I needed to get a good 4K camera. This camera came up in every one of my Google searches so I decided to give it a shot. I’ve gotten nothing but compliments on my video quality with this camera. People ask me what equipment I use all the time. I originally purchased the camera body and paired it with a Metabones 0.64x Canon Speed Booster and Canon Sigma 18-35mm F/1.8 Lens. The results were absolutely AMAZING!! The bokeh and
I bought this camera to do product review videos on YouTube. My goal was to provide high quality reviews so I knew I needed to get a good 4K camera. This camera came up in every one of my Google searches so I decided to give it a shot. I’ve gotten nothing but compliments on my video quality with this camera. People ask me what equipment I use all the time.
I originally purchased the camera body and paired it with a Metabones 0.64x Canon Speed Booster and Canon Sigma 18-35mm F/1.8 Lens. The results were absolutely AMAZING!! The bokeh and incredible blur control is like nothing you’ll find for less than $2000. The only issue is that you won’t have any image stabilization with this setup. Eventually, I found myself shooting more “run-n-gun” videos and required image stabilization so I ended up selling the Speed Booster and Sigma lens to get some Panasonic native lenses with Power OIS and Mega OIS. There are very few good Panasonic lens options but I made it work. My new Go-to lens for product reviews is the Panasonic 25mm F/1.8 Prime lens. It’s cheap and allows for some good close ups with nice bokeh. My zoom lens is the Panasonic 12-60mm F.35-5.6. I think I’ll eventually go back and buy another Metabones Speed Booster and Sigma lens again but for now I’m happy with my setup.
The learning curve for shooting proper 4K can be a little steep with this camera at first but I’ve got it down now. There are a bunch of YouTube videos that explain how to change the settings for optimal 4K video quality.
I originally came from a Canon EOS 70D and this camera put the Canon to shame on video quality even when shooting 1080p. However, I do still prefer the still image quality of the Canon. It’s difficult to find settings that work for you to get those amazing stills with the GH4. It has the potential to take amazing photos but you definitely have to work a little hard than you do with a Canon or Nikon camera. Better lenses help with this but shooting manual helps a ton as well. I’ve not been impressed by any of the still shots from this camera in Auto, Aperture priority, or Shutter Priority modes. You definitely have to shoot manual. (which you should be doing anyways)
Overall I am 100% satisfied with this camera and I wish I could give it 6 stars!!.

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7. Fujifilm X-T4 Mirrorless Camera Body – Black

Color:Black | Style:Body Only Chase your creativity as far as it wants to go with Fujifilm X-T4. This powerful image-making tool offers professional photo and video functionality that can be quickly and easily accessed at the flick of a switch. X-T4 offers five-axis In-Body Image Stabilization, autofocus sensitivity down to -6EV, and Full HD/240p super slow-motion video recording. It also provides improved AF tracking performance and enhanced battery life compared to X-T3, along with a new mechanical shutter that is capable of making images at 15 frames per second and 300,000 actuations.

High-resolution movie footage can be made at DCI 4K/60p in 10-bit color, while the addition of a newly designed optional Vertical Battery Grip uses two extra batteries to provide nearly 2,000 still frames before needing to recharge. X-T4 is the ultimate camera for hybrid image makers who want the versatility to make the most of their creativity. Operating Temperature – -10°C – +40°C.

Fujifilm X-T4 Mirrorless Camera Body – Black

  • Putting stability in your hands: A huge part of creating great photos or videos is making sure you are in the right place at the right time – and that often means making handheld images to get to the heart of the action. X-T4’s state-of-the-art, five-axis In-Body Image Stabilization (IBIS) provides up to 6.5 stops of image stabilization to make sure that, even in the midst of all the excitement, your images remain steady and sharp. Combine this with the new four-axis digital image stabilizer, and you have lots of room to maneuver.
  • Performance you can rely on: For any serious image maker, having a tool that can be relied upon to perform flawlessly whenever it is required is extremely important. For this reason, X-T4 features a newly developed mechanical shutter that is the fastest and most robust in the history of the X series. Not only can it make images at 15 frames per second, but it is also rated for 300,000 actuations 2. When you combine this with its larger capacity battery that is capable of up to 600 frames per charge 2, X-T4 has the power and the durability to give you the peace of mind that you’ll never miss the perfect opportunity.
  • Find the best angle for your story: When chasing the perfect image, versatility is key, so the last thing you want is to be hampered by awkward angles. The 1.62 million pixel vari-angle touchscreen LCD featured on X-T4 can be adjusted to make it visible from a wide range of positions. This not only gives you a high-quality monitor to frame with, but also provides quick and simple controls when you need them most. On the flip side, there are times when you need to minimize the light and distractions that a screen can create. That’s why X-T4’s LCD has been designed to easily fold away so it is completely hidden from view, leaving the updated 3.69 million pixel/100fps electronic viewfinder to help you focus on the moment at hand.
  • When your story needs movement: The modern image maker is blurring the lines between photography and videography, and X-T4 has been designed to celebrate this new generation of hybrid creativity. With the simple flick of a switch, movie mode is activated, meaning X-T4 is capable of recording both professional-level DCI 4K/60p and Full HD/240p super slow-motion video. It is also possible to record F-Log footage in 10-bit color, straight to the card. What’s more, the innovative AF-C subject tracking works in low-light conditions down to -6EV and the camera’s use of a new, high capacity battery lets you push your creative limits.
  • Powerful image manipulation made easy: For over 85 years, Fujifilm has produced photographic films that have been used by some of the world’s best-known moviemakers to create some of the world’s most successful movies. This legendary reputation in color science is celebrated with their hugely popular selection of Film Simulations, which digitize some of the industry’s most iconic films and puts them right at your fingertips. X-T4 introduces Eterna Bleach Bypass, the newest addition to this much-loved collection of film simulation modes available in the X Series product line, which creates a beautiful de-saturated, high-contrast look that any image-maker will find irresistible.
Most Frequently Asked Question:

1. How is it doing in low light situation ?

Tough question to answer in text, without knowing your uses or your standards. I use mine in somewhat low light, regularly; I seldom photograph in bright sunlight, so it’s my norm. Firstly, the combination of two image stabilization technologies really surprises me with sharpness at amazingly slow shutter speeds. Secondly, with good exposure and careful editing, noise up to above 800 ISO doesn’t stop me, but might not be acceptable for subjects with really fine detail/texture in commercial work. With noise reduction/sharpening software, smoothness can be restored, but at a cost to details, in frames with underexposed portions. The sensor is the same as X-T3, so no significant differences; for most consumer uses, quality up to ISO 3200 is remarkable, to me, having learned my craft with film!
Looking at your other reviews, I wonder if it will satisfy you, though. Before saying “no”, however, I am sure you’ll find examples of images on sites like flickr . com and reviews on youtube helpful, but be sure to look at enough samples. Some work I’ve seen there, shot at iso 160 looked soft, while some at 1600 looked crisply detailed. It’s the user that makes those differences. Better, yet, if you have a friend with one, check it out, yourself, before you order.

2. How come few people are getting made in japan units while most of them are getting made in china? yet the same price. can anyone comment on the build?

Due to raw materials sourcing Fuji stated that certain models were made in China and certain were made in Japan. I cannot source the article here, but Fuji made a statement about it and assured that wherever the model was made they upheld the standard of quality they always have.

That being said, i did receive a China made model and it does not feel as “quality” as say my X100V which feels very much like a solid quality product. The China made x-t4 feels “plasticy”, even with the newest battery grip attached. Something about the finish on the camera itself just doesn’t feel right. That being said, it’s an amazing camera in terms of what it can do, specs wise.

3. Is it made in China?

Assembled in China

4. What is the voltage ?

The battery is 7.2V, 2200mAh. The BC-W235 Dual Battery Charger, which is sold separately is 120 to 240 VAC, 50 / 60 Hz at 1.125 A
What Real Customers Say About This Product?

Rick B says: “Was a Nikon person and now own 15 Fujis and lots of lenses including the medium format camera and lenses. On my last trip to Africa I used the H1 because of the stabilization but used the XT-3 for most other situations. The XT-4 will be perfect for all my normal photos as I travel around the world six months of the year. Just pick up any Fuji, not plastic, like a Leica , a pleasure to hold and use. Lenses are superb so I have a closet filled with Nikons I never use. I love you can change most everything
Was a Nikon person and now own 15 Fujis and lots of lenses including the medium format camera and lenses.
On my last trip to Africa I used the H1 because of the stabilization but used the XT-3 for most other situations.
The XT-4 will be perfect for all my normal photos as I travel around the world six months of the year.
Just pick up any Fuji, not plastic, like a Leica , a pleasure to hold and use. Lenses are superb so I have a closet filled with Nikons I never use.
I love you can change most everything form the dials not like Sony.
Just the best, love them!.

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9. Canon PowerShot ELPH 180 Digital Camera w/Image Stabilization and Smart AUTO

Color:Red | Style:Base Product Description Make the most of special occasions with the Canon Powershot ELPH 180 HS Digital Camera. Capture your favorite moments in stunning 720p HD video. Plus, you won’t get behind on the action with smart auto selects to find the proper settings. From the Manufacturer: Slim. Stylish. Simple. For those wanting a simple way to capture moments with family, friends and more, the slim, stylish PowerShot ELPH 180 camera has easy-to-use features to help create photos that are as stunning as you want.

The 8x Optical Zoom lets you get close to the action, while the 20.0 Megapixel* CCD sensor with DIGIC 4+ Image Processor help produce vibrant, clear images to share or print. Take more than just still images, with the ability to record movies at 720p HD. Do not use organic solvents such as alcohol, benzine, or thinner to clean the product, Operating Temperature:32-104°F / 0-40°C. From the Manufacturer Slim. Stylish.

Simple. For those wanting a simple way to capture moments with family, friends and more, the slim, stylish PowerShot ELPH 180 camera has easy-to-use features to help create photos that are as stunning as you want. The 8x Optical Zoom lets you get close to the action, while the 20.0 Megapixel* CCD sensor with DIGIC 4+ Image Processor help produce vibrant, clear images to share or print. Take more than just still images, with the ability to record movies at 720p HD.

For added convenience, Smart AUTO figures out suitable settings for what you’re photographing so you don’t have to worry about finding a picture mode yourself. To help reduce the effects of camera shake, Digital IS helps keep blur to a minimum. On top of that, the Auto Zoom feature can automatically close in on your subject and keep it in focus for easy shooting. * Image processing may cause a decrease in the number of pixels.

8x Optical Zoom with Optical Image Stabilizer helps you capture images with flexibility and ease The PowerShot ELPH 180 camera features an 8x Optical Zoom so more shots are within your reach. You’ll love the flexibility that the wide 28–224mm (35mm equivalent) shooting range offers. Plus, the wide-angle lens captures an expansive image in each shot, adding depth, perspective and grandeur. Landscapes, city scenes, family shots and more benefit from the extra width.

Whether you’re shooting wide group shots or zooming to the telephoto end, your images will be bright and clear. 20.0 Megapixel* CCD sensor combines with the DIGIC 4+ Image Processor to help deliver stunning image quality 20.0 Megapixel* Sensor With the PowerShot ELPH 180 camera’s 20.0 Megapixels* of resolution, your images are rich and clear, with textures and tiny details faithfully reproduced even at the long end of the 8x Optical Zoom.

This high level of resolution can be ideal for creating large prints, and allows you the flexibility to blow up and crop any section of an image to express your creativity. DIGIC 4+ Image Processor The PowerShot ELPH 180 camera’s DIGIC

4+ Image Processor features accelerated processing speed to create fast, responsive performance, giving you a shooting experience that’s easy and natural. The DIGIC 4+ Image Processor also enhances image quality in several ways.

Processing of high ISO shots has been shortened by up to 60% compared to the DIGIC 4 Image Processor. This helps significantly reduce noise for brilliant color, smooth gradations and beautiful detail even in low light. The processor’s highly efficient design also extends battery life. * Image processing may cause a decrease in the number of pixels. Capture 720p HD video Using the slim PowerShot ELPH 180 camera, you can shoot high-definition video when you want, where you want.

With a simple push of the dedicated movie button, you’ll be able to quickly record moments in motion. 720p HD video is smooth, vivid and beautifully lifelike, making it an ideal way to capture special memories. Smart AUTO intelligently selects the proper settings based on predefined shooting situations Click here for a larger image Getting that great shot can be as simple as pressing the shutter button on the PowerShot ELPH 180 camera.

Smart AUTO automatically detects scenes by assessing various factors in both the background and the subject and analyzes them using 32 predefined shooting situations. The camera then makes optimal settings to help facilitate incredible image capture, whether you’re shooting stills or video. With Smart AUTO, all you have to do is frame your shot and capture away. Digital IS helps reduce the effect of camera shake and subject movement Sometimes even the steadiest of hands can move a little, and during night photos or when zoomed in close, even a small shudder can blur a photo.

Digital IS on the PowerShot ELPH 180 camera analyzes the image in order to electronically remove blur and fuzzy edges, helping to ensure you get a clear picture. Scene Modes such as Fisheye Effect, Toy Camera Effect and Monochrome provide creative freedom to capture your photos The PowerShot ELPH 180 camera provides shooting modes that can easily give your shots a distinctly artistic feel without the need for any extra lenses and filters.

You can make a quirky portrait using the Fisheye Effect or add a beautiful single-tone effect with Monochrome. Toy Camera Effect simulates a vintage look as if capturing the photo using a “toy” or pinhole camera. Smart AUTO The camera automatically selects the best shooting settings for optimal quality based on subjects and environmental factors to provide point-and-shoot simplicity. Program The camera automatically and intelligently selects the aperture/shutter speed combination based on the shooting conditions.

Portrait Brings the subject into focus while beautifully blurring the background. Face Self-timer The camera waits for a face to enter the frame before releasing the shutter. Low Light For high-quality image capture in an amazing range of dimly lit situations. Fisheye Effect Now you can get the fisheye effect – a classic photographic distortion – without a fisheye lens. Miniature Effect Give images a miniature look with an effect that emphasizes perspective by blurring the top and bottom of the image.

Toy Camera Effect Simulates photos taken with “toy” or pinhole cameras, darkening the image at the edges to create a vignette effect. Monochrome Choose from three single-tone effects Black-and-White, Sepia or Blue. Super Vivid Super Vivid intensifies existing hues, saturating the scene with bright colors. Poster Effect Poster Effect combines several similar shades into one color, turning subtle gradations into eye-catching, scene-popping contrasts. Fireworks Create brilliant images of skyrocketing fireworks.

Long Shutter Use to blur moving subjects for artistic effect, ideal for urban night photography. Movie Record video; unwanted scenes can be deleted in playback mode. Actual results may vary from examples shown above. Final image may vary depending on picture composition. Enable the Auto Zoom feature and your camera will automatically zoom in to help frame your subject and help keep it in focus Now, beautifully framed shots using the powerful 8x Optical Zoom are as easy as pressing the Auto Zoom button.

With Auto Zoom, the camera automatically determines the correct size and framing by detecting the number of subjects. The system also detects faces that are too small, then zooms in to the proper length. Auto Zoom is a great feature for spontaneous everyday shooting, and especially useful for times when someone else (even a child) is using your camera, for instance at a tourist spot. ECO Mode helps reduce power consumption for longer battery life The PowerShot ELPH 180 camera features ECO Mode to help provide a high number of shots per single charge through LCD monitor and camera power

management. The mode can be activated via a dedicated button for easy power preservation when you are out for the day or the moment is too important to put the camera down. ECO Mode quickly wakes the camera from sleep when a button is pressed so you won’t miss the moment. Help Button provides simple explanations and easy control of your settings The PowerShot ELPH 180 camera is designed to be fun and easy to use, even for beginners.

A Help Button on the camera’s exterior brings up the help menu when you need it, right on the LCD screen. From here, you can scroll through a variety of topics that answer your questions with clear explanations, offer helpful shooting advice and show you diagrams highlighting the position of any buttons you’ll need. .”


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Canon PowerShot ELPH 180 Digital Camera w/Image Stabilization and Smart AUTO Mode (Red)

  • 8x Optical Zoom with Optical Image Stabilizer helps you capture images with flexibility and ease
  • 20.0 Megapixel CCD sensor combines with the DIGIC 4+ Image Processor to help deliver stunning image quality
  • 720p HD video capabilities. Product Dimensions(W x H x D):3.75 x 2.14 x 0.87 inches/95.2 x 54.3 x 22.1 mm
  • Smart AUTO intelligently selects the proper settings based on predefined shooting situations
  • Digital IS helps reduce the effect of camera shake and subject movement. Scene Modes such as Fisheye Effect, Toy Camera Effect and Monochrome provide creative freedom to capture your photos
  • Video Capture Resolution: Hd 720P
  • Optical Sensor Resolution: 12 Megapixels
  • Show more
Most Frequently Asked Question:

1. I notice the usb cable has to be purchased separately. does this camera require any special type of usb cable?

The camera uses sd memory, so you dont need usb cable if your computer has a sd slot

2. Do you have to remove the battery from the camera in order to charge it?

Since my purchase, I have not charged the battery. However, the camera did come with a battery charger where the battery must be removed from the camera and put into the A/C charger which is then plugged into an outlet. Therefore, I believe that this is the only option available to charge the battery.

3. Does this have an automatic shutoff If I forget to turn it off?

I don`t think so. But you`ll know if it`s on. When it`s on, the lens moves way out. When it`s off, it retracts, so the camera is flat. It would be very hard to forget to turn the camera off, or forget you left it on.

4. Can i connect this camera to my computer with a usb?

I have just purchased two of these (Elph 180).The first thing I noticed is that Canon has not improved the access door (battery/ sd card slot) in the many years since I had my first point& shoot Canon.(I have a canon rebel too – different story) The reason I am telling you this is that I urge you to buy a cable to download your shots, and clear the SD card from your camera.Every time you open and shutthis little door, the weaker it becomes.Eventually you will be forced to tape the door shut to use the camera.I did this for years because I loved the camera. Finally I just got tired of it and bought the rebel.If the only time you have to open the door
is to charge the battery, you will extend the usable life of the door HUGELY. As with most technology today,it’s longevity depends on its weakest point. One of the two I purchased is for a 12 yr. old-I bought cables for both of us.My opinion:It’s worth it because Canon still makes the best lenses.

What Real Customers Say About This Product?

Brett Ashton says: “Okay. I gave it 5 stars because I love the camera itself and don’t feel I should downgrade my review because of what the listing says. Also it wouldn’t let me put in four and a half. But any buyer should know that the listing says that it comes with “64” of something regarding memory. It doesn’t say 64 of what. Could be Kbites, could be Mbites, could be Gbites, could be raw fish or tooth faerie droppings. Who knows? Turns out there is ZERO. ZIP. NADA. So if you order one of these be sure to buy some memory because
it is not included and the camera would be useless without it. Good thing I’m a bit of a memory hog and bought an “extra” or I wouldn’t have been able to use it at all until I ordered some.

Another small thing that it won’t do (and I hold Canon blameless for this) is that there is no way that I can find to put a live view from the camera onto my computer screen—as you would do with a web cam. I didn’t buy it specifically to do this kind of thing so I’m not let down but I do a bit of astrophotography and that kind of thing is nice. The screen is too small to tell if there is dirt on one of your lenses in the dark. It ruins the shot if you don’t notice it and when you are trying to shoot a picture of the full moon and don’t catch it you have to wait at least a month to set the shot up again.

With those two things in mind it’s a pretty good camera and I’m happy I got it. The screen is easy to read. It’s got a lot of the features that you would expect to find on a more professional grade camera. The menus are fairly intuitive once you’ve spent fifteen minutes or so with the manual. I should be noted that you do have to download the manual itself because it only comes with a quick start guide. In Auto mode while shooting some pictures, like the moon for example, the exposure is a bit too high but I suspect there is a setting that would fix that, which I haven’t found yet. In Program mode it’s easy enough to correct that kind of problem, as it is pretty easy to take control of most of the other settings.

I shot the attached video of the moon through my telescope because a picture is worth a thousand more words.

I’m still experimenting with it because I just got it yesterday but I’ll update this if I think of anything else..


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11. slow Jo 17 – Swiss Made one-hand 24 hour watch –

Evolve the way you think about time. Slow watches were created to shift the way people read time so rather than focus on the second or the minute we produced an instrument that measures the moment. Slow does not describe a speed. It is a mindset that most of us somehow lost. As a result of our busy lifestyles, we often forget that we actually have a choice of how to live.

The slow watch (we named it slow Jo) is a subtle reminder that time is the most precious thing we have so we should enjoy everything we do and stop chasing every minute. In order to be a true symbol of this idea, the slow watch has only one hand that rotates once every 24 hours. It actually moves at half the speed of a normal watch, but allows you to see at one glance the progress of your entire day.

This slow way of showing the time requires using a Swiss precision GMT movement that actually has 4 hands and a date (the Ronda 505.24 Swiss Made), but to keep you focused we simply left out the other 3 hands. In accordance with the brand concept, purchasing a slow watch should be a stress free experience. It should be simple and not cost a fortune; that iss why slow watches can only be ordered online and will be shipped from the guys who do slow to you with nobody else in between increasing the price.

Have a great time and be slow…

slow Jo 17 – Swiss Made one-hand 24 hour watch – Silver with dark brown leather band

  • One-hand watch with Swiss 24 hour GMT movement
  • 100 meter water resistant case made of 316L stainless steel with fully integrated case back
  • Raised extra hardened K1 mineral glas with anti-reflective coating
  • Robust vintage strap made of strong Italian calf leather
  • Sold directly from manufacturer to you without anyone in between; available only online
Most Frequently Asked Question:

1. Will this watch be accurate enough to measure one’s heart rate? I check mine in beats per hour.

Don’t think so. It basically measures time in 15 minute increments.

2. is it a men’ s watch?

Actually it’s unisex, take a look at the pictures of our watches on male and female wrists by Amazon or in our webshop.

3. What is this size of the watch’s face? What about the width of the strap?

CASE SIZE (mm): 38 W x 42.5 H x 8.2 DWEIGHT OF THE WATCH: (ex.Box) 64 gCOUNTRY OF ORIGIN: SwitzerlandGLASS MATERIAL: Extra hardened K1 mineral glassBAND WIDTH: 22 mm

4. Does this watch use a regular quartz battery? i.e. can the battery be changed at any watch dealer

Yes and yes 🙂 The battery is regular, you can have it exchanged by any watchshop.
What Real Customers Say About This Product?

©ooper says: “Does anybody really care? Someone on Amazon once said watches are obsolete because anyone can now look at their phone to know the exact time. A review of this watch stated he didn’t like the watch because he could get one cheaper with a softer band and harder crystal. Another couldn’t read the numbers easily. There will always be people who fail to see the beauty in a product like this. Thankfully I’m not one of them, and I was able to purchase one during a recent holiday sale. It arrived yesterday, and I couldn’t be more pleased with it. The
Does anybody really care?

Someone on Amazon once said watches are obsolete because anyone can now look at their phone to know the exact time. A review of this watch stated he didn’t like the watch because he could get one cheaper with a softer band and harder crystal. Another couldn’t read the numbers easily.

There will always be people who fail to see the beauty in a product like this. Thankfully I’m not one of them, and I was able to purchase one during a recent holiday sale. It arrived yesterday, and I couldn’t be more pleased with it.

The first thing you notice is the packaging is as unique as the watch itself. Reminiscent of Apple’s packaging, it only adds to the watch’s character. I bought the slow Jo. Slightly larger than the slow Mo, with a similar appearance. It has a leather band that you don’t have to wonder if it’s real leather. A soft but sturdy feel you’d find in a fine saddle. The case, crown, dial, hand, and buckle all express the clean design and construction of this timepiece.

This watch is destined to top the list of my favorite watches to wear. And I have dozens to choose from. Couldn’t be happier with this purchase.

And if I need to shift into frenetic mode and know the exact time a Lightning Deal is starting, I’ll check my phone……


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13. Sony DSC-RX10 III Cyber-shot Digital Still Camera

Configuration:Base Now, nothing is beyond reach. Aim for more dramatic stills and movies from wide-angle to ultra-telephoto. The 24-600mm1 (25x) ZEISS Vario-Sonnar T lens offers a bright F2.4-4 max aperture that can take full advantage of the large 1” 20.1 MP image sensor. See subjects stand out beautifully in all kinds of scenes from wide-angle landscapes to ultra-telephoto sports action. *Clear Image Zoom (Still Image):Approx. 50x (including Optical Zoom). *Digital Zoom:Approx.

100x (including Optical Zoom) 2.

Sony DSC-RX10 III Cyber-shot Digital Still Camera

  • High zoom 24-600mm (25x) F2.4-4.0 ZEISS Vario-Sonnar T* lens, 20.1 MP 1″ Exmor RS stacked back illuminated CMOS sensor w/ DRAM, 4K movie recording w/ direct pixel readout and no pixel binning
  • Super slow-motion movie HFR (High frame rate) up to 960 fps (40x), Fast Intelligent AF achieves autofocus as quick as 0.09-sec., Fast response up to 14fps and 1/32000 sec. Anti-Distortion Shutter
  • Enhanced operability w/ independent focus, zoom and aperture rings, Professional dust/moisture resistant magnesium-alloy body, Bright XGA OLED Tru-Finder viewfinder and Sharp 3″ multi-angle LCD
  • Simple connectivity to smartphones via Wi-Fi and NFC w/ camera apps
  • BIONZ X engine for superior detail reproduction and noise reduction.Wifi:Yes (IEEE802.11b/g/n (2.4 GHz band))
Most Frequently Asked Question:

1. Does this camera take good action shots. Looking for something to take pictures at my son’s baseball games.

It will be OK for baseball, where the action is contained and you can set up your shot. As a sports camera, it’s Pretty good in bright light/high contrast. The AF is weak in low light and the long tele is a bit soft. Definitely inferior to a good dslr and pro lens combo – that weighs 3-5x more, is much larger, and costs at least 4x more. But it’s better than most point and shoots by a lot and you’ll likely be happy with it.

2. How far of a focus length before it goes to f4.0?

It will, at your discretion, go all the way to f16.Sony does not recommend over f11 due to a “barreling” effect being more prevalent.I have this camera and it has beautiful optics, fast focus, and great image stabilization.The ability to manually adjust focus, zoom, and f stop as you choose is also great.This camera defines the “bridge” category of cameras.A great all in one for when you don’t want to haul your whole camera bag around or for those wanting to go up the ability curve in cameras.No regrets here.I am using it more than my Canon 5d Mark III!

3. Is This camera can change to Chinese language ?

Hi I don`t know because my manual is for Europe and it has no Chinese in
Sorry
Helmut

4. Does this camera work with the remote control tripod gp-vpt1 ? the sony website says it will not work? are they correct?

Hi R. Thomas, no, the GP-VPT1 will not work with the DSC-RX10m3. Here are some tripods with remote that will work with this camera:- VCT-VPR1- VCT-VPR10- VCT-VPR100Dave

What Real Customers Say About This Product?

D. F. WattTop Contributor: Photography says: “This is a somewhat revised review based on an additional month or more of experience with this camera. This is my seventh Sony digital camera (Sony Alpha 55/65/99/77ii) and my third RX model (after owning and loving both the RX1 & RX100III). So you could say I’m biased, or alternatively, pretty comfortable with Sony products and operating systems. There is little question that Sony is at the head of the class in designing sensors for digital cameras, and they lead if not dominate the sensor market, all the way from cell phones to medium format and virtually everything in between. On
the other hand, there have been times when users might readily question whether they have clearly moved past simply making great sensors to creating great cameras and great camera systems. The latter takes a very different set of technical skills from the former.

Opinions on this vary of course, but I believe that their recent products suggest that Sony continues to learn, evolve, and improve their grasp of what it takes to create a great camera (and system) beyond simply a great sensor. This latest effort is overall most impressive, with only a few caveats and minor problems. Indeed, if you could carry only one camera with one lens with you on a long trip and were not constrained to carry something that would fit just in your pocket, I cannot imagine a better choice for an enormous variety of shooting situations, for both video and stills. It’s the digital photography equivalent of a brilliantly balanced decathlete, who can’t really challenge the best in the world at the glamour events of sprinting (analogously, not as good as FF professional equipment in stills photography where their DR and low light S/N performance is clearly way better), but whose overall excellence and versatility is very tough to equal. And in good light, it’s capable of taking excellent still images, and simply stunning video. Its video is leagues better than virtually any professional full frame stills camera, excepting the Sony A7Rii/ASii (two models that can equal it in the HD and 4k video department). It offers very high quality video in both more traditional 1080p as well as newer 4K modes, and excellent still photography image quality, as long as you stay under ISO 800 (and frankly ISO 400 is a reasonable limit if you’re shooting JPEGs and want fairly clean images). The lens provides an enormous range of view angles from wide-angle to super telephoto plus a macro ability at 600mm, and with generally excellent optical quality. The lens itself a technological tour de force, and recent formal testing suggests that it is sharper at least most of the time than the lens on the competing Panasonic FZ 1000 as well as perhaps slightly sharper than the fine lens on the RX10 Mark 2. The lens alone might be almost worth the purchase price, as there’s nothing like it available on larger APS-C or full frame sensors. Its optical quality easily exceeds the nearest APS-C competition, the recently released 16-300 Tamron, which has only ¾ the reach, and is not nearly as fast, and that lens is not remotely as sharp all the way out (at a 450mm equivalent view) as this lens is at 600mm equiv. view. Of course, it’s not a fair comparison, as smaller sensors allow the construction of lenses that would simply be huge (and hugely expensive), on larger sensors. Still, with all these qualifications, it’s a very impressive lens. I would argue based on recent testing (see the DPR and IR reviews) that it’s the best 24-600 anyone has built up to this point in time (and it’s in another league from the only other 24-600 on a 1” sensor, the lens on the Canon G3x).

For those unfamiliar with the RX10 line, some history might be useful. The original Sony RX 10 Mark 1 came out with basically the same operating system and sensor as the hugely successful, much more compact Sony RX100, but with a significantly larger and faster and more versatile 24-200 2.8 lens, and a correspondingly larger form factor. Features on that groundbreaking first model included:

20.9 MP 1”-type Exmor R CMOS sensor with BSI construction
24-200mm equivalent F2.8 lens with optical image stabilization
Up to 10 FPS continuous shooting
ISO 125 – 12800 (expandable to ISO 80)
3” tiltable LCD with 1,228,000 dots
Built-in 1.44M dot electronic viewfinder
1080 60p/24p HD video with full exposure control (MPEG-4/AVCHD)
Raw/JPEG/ Raw+JPEG
Built-in flash and expandable Smart Accessory Shoe for system accessories
Eye AF function detects and focuses on a subject’s eye
Built-in Wi-Fi and NFC for sharing and remote camera control
Bright F2.8 Zeiss Vario Sonnar T* Lens (24-200mm)
Fast AF thanks to new “BIONZ X” processing engine (but using CDAF instead of on-sensor PDAF).

It easily garnered a Gold Award from DP Review, but it was rather expensive on release, at $1300, although it has now dropped significantly to only $800, less than two thirds that price. It was fairly successful commercially, although its high price made it less attractive than its closest large sensor compact rival the Panasonic FZ 1000 (which used the same Sony sensor as the RX10), but which sported a lens that went twice as long to 400 mm, even if not a constant f2.8 – and it offered in body 4K, two very significant advantages, all for a $300 lower price. It generally looked like clearly the better value, and was rated slightly higher on DPR, also easily garnering a Gold Award.

Sony was clearly not content to rest on this first benchmark, and knew that they needed to up their game in view of Panasonic’s impressive offering in the FZ 1000. That original model RX10, released in early 2014, was updated early last year in the RX10 Mark 2, which provided all of the previously mentioned features plus some very significant upgrades, centered around a ‘stacked’ sensor, with very fast data readout enabled by the layered sensor construction, allowing extremely high frame rates, up to 960 FPS in slightly down-rezed HD, along with now being able to do in-body 4K recording (finally!), and gaining a useful bump in continuous shooting from 10 frames per second to 14 frames per second (but with AF locked from the first frame). Sony has chosen (at least so far) not to sell this new sensor to the competition, so there are no directly competing compact larger sensor compacts from Canon, Nikon, or Panasonic (unclear what the sensor is in the new Nikon DL 24-500 which is late arriving to market due to production problems in Japan but it’s not likely a Sony sensor). In any case, this seems to parallel their new-found reluctance to sell their state-of-the-art full frame 42 megapixel BSI sensor to Nikon. Perhaps they’ve decided that when they have a technological advantage, they’re no longer going to give it away, even at a premium cost, to the competition. Perhaps long overdue?

Both of those predecessor RX 10 (I/II) models are still available, so the RX 10 Mark 3 is intended to be their ‘big brother’, taking all of the advances in the Mark 2 and adding the impressive 24-600 f 2.4-4.0 Zeiss lens. The weight penalty from the 3x longer telephoto reach increases only modestly from 849g to 1095g (both weights w/batteries). This creates essentially a super-zoom ‘bridge camera’, but with a significantly larger sensor than that class of camera has traditionally contained. And while it can’t compete with the truly ridiculous 83x optical zoom of the Nikon P900, its 24x zoom exceeds anything currently available on the 1” Sony sensor. Given that the newest version of this exceptional sensor is still only available currently in Sony products, this means that these cameras are without real peers – although there is now more competition with several more compact travel zooms from both Canon and Panasonic using an earlier version of the 1 inch Sony sensor in addition to the aforementioned Panasonic FZ 1000 – but nothing remotely as fast as this lens. Additionally, initial testing suggests that this lens is significantly sharper than the lens on the Panasonic FZ 1000.

So . . . . how does it function? Overall, I’d have to say exceptionally well, although it’s not perfect, and its autofocus system is still a LARGE step down from the best PDAF systems, particularly in low light, and, like its predecessors, the price of admission is steep. Then again, there’s nothing quite like it, and although it will clearly not take the place of full frame or even APS-C equipment, in low light, or for shooting wildlife or sports at the highest possible image quality with long telephoto primes, it offers a set of functional competencies in a single package that are extraordinary, even when you have to take into consideration its rather steep price. You get what you pay for here. I would say that if you weigh still image and video image quality equally, it’s the best camera I’ve ever had, and the best on the market for under $3k – and only bested by the likes of the Sony A7Rii and A7Sii, but not on the video side, only on the still image side.

The photographs at the end of the review show the RX10iii compared to an APS-C semipro a77ii body with a Sony 70-400 G2 lens offering comparable telephoto reach. Although that big and heavy combination (costing nearly $3000 or twice the cost of the Sony RX 10iii) clearly takes better pictures as ISO drifts past 800, or when autofocus demands are particularly challenging, in bright light and when the target is not challenging the CDAF, there is little to separate this camera from an expensive APS-C rig costing twice as much and weighing almost three times as much. Additionally, when I’m using the RX10iii and taking advantage of the ~ one stop faster lens aperture, and the two stops better OIS, I can undercut the ISO of a larger ILC by two stops at least, where the 1” sensor is now less noisy than the sensor in the A77ii. To be clear, I’m not suggesting that this camera can replace APS-C let alone full frame equipment for taking the best possible picture, particularly in challenging light, but I am impressed with how close it can get in good light and where the autofocus system is not unduly challenged. And the 4k video is so good, when displayed on a 4k set that has been properly adjusted and calibrated, that it will take your breath away. It’s like looking through a window onto the subject matter. And the audio is excellent to boot. If you love video, don’t mind getting bigger hard drives, and like a ‘single solution’ that avoids all lens switching hassles (and lots of other hassles too associated with that big bag of gear you’ve been toting for years), buy one. If you’re not sure, rent one. It will likely win you over in short order.

Pros:

1) Extraordinary ‘stacked’ BSI 1 inch sensor with exceptional versatility, capable of 4K video in body, high resolution 20 megapixel stills, variable high frame rate video up to 960 FPS, an overall package of capabilities currently unmatched by any single system in the digital photography world.
2) Customizable menu and operating system, with high degree of menu organization overlap with other Sony cameras (but see cons). You can customize this to the moon, in terms of several custom buttons, and multiple settings, such as whether aperture ring has click stops or smooth action.
3) Overall very good photo IQ quality, with decent lowlight ability. Good JPEGs to ISO 400-800, and usable RAW to 1600, and perhaps even to 3200 for smaller prints and web postings – losing ~ 1.5 stops in low light ability compared to the Sony A6300 which is competitive with the best APS-C bodies, and about 2.5-3 stops compared to full frame.
4) Remarkable 24-600 f2.4-4 lens that has very few weaknesses (but see cons). Sharp, contrasty, and with variable speed zooming action. Capable of minimal focusing distance of 2.3 feet, essentially making it a .4x macro lens at 600 mm.
5) Exceptional video, rivaling professional 4K equipment, and excellent sharpness and definition with minimal moiré at both 4K and 1080p. Many advanced video features including various S log profiles, focus peaking, flat picture profile, etc. Possibly an even better video cam than still cam?
6) Decent autofocus – certainly a step down from the A77II, but not nearly as bad as several reviews have suggested (but see cons). In good light, AF is reasonably fast and accurate. And given the CDAF on-sensor, no endless fiddling with MFA (I dislike dealing with MFA on cameras with traditional separate dedicated PDAF arrays).
7) Excellent EVF, fully the equal of the unit on the A77ii, bright, contrasty, fast, and very sharp. Image stabilized (even more so than the A77ii which also sports this feature, given virtue #8). You get to see exactly what the picture is going to look like before you shoot it. After you’ve used a first rate EVF, OVFs seem quite primitive and confining.
8) Highly effective IS worth ~ 4-5 stops. This is significantly improved from the previous model. I have taken many shots at 1/10 sec (!) exposure (on non-moving subjects) at 600mm equiv. view and had many of them be quite sharp. Significantly mitigates noisier 1 inch sensor, and allows you to shoot at lower ISOs (can typically beat ISO of a Sony A77ii which has a less effective IBIS by two stops).
9) Both zoom and focus rings are now on the lens barrel, and can be customized in terms of placement (either ring can be assigned to zoom or focus) and lens zoom speed is nicely variable – but see cons.
10) Video IS has options for modes that offer very impressive stabilization, at least in 1080p (if not in 4k).
11) Excellent, if not remarkable, remote control software, in form of numerous apps. Apps can be activated easily from a custom button, allowing, for example, total smart phone remote control, time lapse, star trails, or special portrait face processing, among the many useful Sony app store apps.

Cons:

1) Weight and balance. Not only is this significantly heavier than the RX 10II, but it’s a bit front heavy with the lens.
2) Menu system – many have commented on the top heavy and cumbersome nature of the Sony operating system where you often have to do a lot of menu diving. Somewhat offset by the highly accessible Function menu, which gives you easy access to your most frequently changed settings, and by the highly customizable buttons.
3) Not the camera for sports action junkies. Continuous autofocus is disappointing if you’re coming from dedicated PDAF arrays and it’s a large step down from the Sony A77II, and other large bodied cameras with excellent PDAF.
4) Clearly struggles a bit with autofocus in low light – one suspects the next generation will have PDAF or perhaps hybrid PDAF-CDAF. Takes significantly longer to achieve AF lock in dimly lit indoor scenes, and you often times have to hunt for a high contrast edge. PDAF is likely in line for the RX10M4?
5) Lack of a touchscreen is a deficit for some, although not for this user. However this is a consistent complaint in reviews (including no doubt in the upcoming DPR review).
6) As a minor ergonomic gripe, the back control buttons are virtually flat with the surface instead of more raised up, making simple tactile location and control more challenging and requiring more focused attention.
7) The focus and zoom ring control systems are both fly-by-wire systems, and lack any version of tactile feedback or immediacy.
8) Video IS during 4k is limited to the least effective (but still decent) base IS mode (presumably limited to prevent overheating).
9) As minor gripe, deleting images on smartphone not allowed from smartphone.
10) As another minor gripe, lens retraction is automatic after a minute or so of inactivity (configurable as a menu item?).

Pros and Cons Relative to the Panasonic FZ 1000

Pros (Relative to the Sony)

Way cheaper (basically half the cost)
Faster Autofocus (DFD is excellent)
Less turgid menu structure?

Cons (Relative to the Sony)

Not nearly as much reach (400mm vs. 600mm)
Lens not a sharp or as fast (Sony is f4 at long end)
Sony has better build quality and is weather resistant
Sony may have 4k IQ advantage
Sony may have a JPEG engine advantage

The well-informed reader will note that both the Panasonic FZ 2500 and the Nikon DL 24-500 are conspicuous by their absence, as these are both still unavailable, and the Nikon is looking like it’s not going to be available any time soon, whereas the FZ 2500 is supposedly shipping in November. It’s likely that the new Panasonic model will continue to autofocus faster than the RX10iii, with Panasonic’s excellent Depth-from-Defocus algorithms. However it’s unlikely that the lens, even though they’ve extended it to 480mm, will be fully the equal of the 24-600 F2.4-4 in terms of sharpness, and it certainly isn’t as fast at the long end, but getting within half a stop of the Sony at 480 (f4.5 vs.f4). The FZ 2500 however it does have a very video-centric operating system, and it’s possible that with all the upgrades that it equals or perhaps even slightly exceeds the RX10iii in the 4k video department – and most regard the current 4K video coming from the FZ 1000 as perhaps not quite fully the equal of the 4K coming from the Sony RX10M3. The Nikon DL 24-500 has the advantage of a hybrid autofocus system phase detection on chip which is likely to offer faster autofocus than the simpler contrast detection method on the Sony, but nobody’s actually seen one of these cameras, or tested one, so who knows. The DL is also supposed to offer high frame rate video, but the lens is neither as long nor as fast as the Sony’s. On the other hand, both the new Panasonic FZ 2500 ($1200) and the Nikon DL ($1000) are going to significantly undercut the price of the Sony RX10M3, which should put some downward price pressure on the Sony model. Competition is after all good for the consumer and prices. Right now, as of the first week in October, this camera still doesn’t really have any true competition as neither the Nikon DL 24-500 or the new Panasonic FZ 2000/2500 have even been tested by the digital photography press – And right now they’re both unavailable. For those with smaller budgets, both the Panasonic FZ1000 and the Sony RX10M2 remain the most attractive options.

In any case, I’m finding far more to like than dislike as I get to know the camera and its systems – I’m now in my fourth month of ownership. As a neat bonus for those with other Sony cams, you can simply drop your SD card from an RX100 or other Sony product into this and go, and your photos and videos across different bodies appear in a neat chronological order when reviewing, and in their normal folder (as long as you don’t stray from the default folder assignments). I’m finding this a big plus and highly convenient, as I can rotate the SD card from body to body, depending on what I’m shooting. While I can’t review or magnify photos from an A77ii or RX1 (due to the larger image dimensions?), I can still see them in the viewfinder, and all RX100 photos can be conventionally magnified and manipulated. As another neat bonus, there are a huge number of useful apps, although not cheap, with many of them $10, at Sony app store (but some are $5 and some are free). Some are potentially very useful for specialized shooting situations: Star Trails and Time Lapse apps, a super-bracketing app, a Sky ultra-high HDR app, and both sync to smartphone and smart remote control apps (both free). While some of these may strike some users as gimmicky, the results so far suggest the apps are quite effective at what they do. In fact, the remote control app that works both for this model and various RX 100 iterations is possibly the best in its class, and allows you to control many shooting parameters from a smartphone remotely. When shooting on a tripod, it’s really quite useful. It allows super-stealthy shutter activations (as far as 30 ft. away from the camera) without any chance of moving the camera when you press the shutter button. Don’t leave home without it. I have gotten some amazing wildlife picture using the smartphone remote app from inside the house, while the camera and tripod are outside.

I’m impressed with the fundamental truth of the old aphorism – “it’s all trade-offs”. While this camera comes close to excelling at everything, there are still important compromises that you must appreciate: this camera trades off some weight and slightly more compact size against its smaller brother RX-10II, trades off any version of ‘pocketability’ to the RX 100 series, trades off photo (but not video) image quality against bigger APS-C, let alone FF, equipment, and trades off cost against the slightly less capable Panasonic FZ1000 and the minimally less capable RX-10II. You’ll have to decide for yourself what your optimum balance points might be, and how you might trade your favorite virtue against other functional competencies, particularly how much ‘pocketability’ trumps excellence in other areas. Certainly there is little difference in picture quality – if you are shooting at 24-70 mm – between this camera and the much more compact RX-100IV. So for shooting where I simply can’t stand to carry anything even moderately sized, this will not displace the Sony RX100 (I have the M3 version). However, for a ‘single solution,’ encompassing high degrees of competence in relationship to both still photography and videos, and offering an enormous range of focal lengths, it’s hard to find a more balanced athlete than the Sony RX 10 III. There is a reason why is camera is sold out virtually everywhere and often backordered all the way to November . . . demand for this kind of exceptional flexibility and versatility has been running very high ever since its introduction in May. And Sony concedes that they have grossly underestimated the enormous demand for this camera, and they are scrambling to catch up..


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15. slow Jo 19 – Swiss Made one-hand 24 hour watch –

Evolve the way you think about time. Slow watches were created to shift the way people read time so rather than focus on the second or the minute we produced an instrument that measures the moment. Slow does not describe a speed. It is a mindset that most of us somehow lost. As a result of our busy lifestyles, we often forget that we actually have a choice of how to live.

The slow watch (we named it slow Jo) is a subtle reminder that time is the most precious thing we have so we should enjoy everything we do and stop chasing every minute. In order to be a true symbol of this idea, the slow watch has only one hand that rotates once every 24 hours. It actually moves at half the speed of a normal watch, but allows you to see at one glance the progress of your entire day.

This slow way of showing the time requires using a Swiss precision GMT movement that actually has 4 hands and a date (the Ronda 505.24 Swiss Made), but to keep you focused we simply left out the other 3 hands. In accordance with the brand concept, purchasing a slow watch should be a stress free experience. It should be simple and not cost a fortune; that iss why slow watches can only be ordered online and will be shipped from the guys who do slow to you with nobody else in between increasing the price.

Have a great time and be slow…

slow Jo 19 – Swiss Made one-hand 24 hour watch – Black with brown leather band

  • Imported
  • Made in Switzerland; Using a Swiss 24 hour GMT movement
  • 100 meter water resistant case made of 316L stainless steel with fully integrated case back
  • Raised extra hardened K1 mineral glas with anti-reflective coating
  • Robust vintage strap made of strong Italian calf leather
  • Sold directly from manufacturer to you without anyone in between; available only online
Most Frequently Asked Question:

1. Who covers the warranty

After I purchased this watch I received this email:You’ll receive a 2-year Amazon warranty, provided by Asurion, for the following item(s):slow Jo 19 – Brown Vintage Leather, Black Case, Black Dial – Swiss MadeThe 2-year warranty is on the internal mechanism, watch case, crystal, crown, stem, and buttons.For full details about this warranty, or for instructions on how to make a claim, please follow the link below: http://g-ecx.images-amazon.com/images/G/01/watches/warranty/pdfs/amazonWarranty/watch_warranty._CB321583312_.pdf

2. Is this automatic or needs a battery?

This slow watch uses a battery driven Swiss Quartz movement with 45 months battery life.
What Real Customers Say About This Product?

K. Desai says: “I really love this watch. 1) Love the 24 hour format. I like the sundial style approach to a day. Take a glance and you can tell about how much of the day has passed and how much you have left. Something about this approach to time is soothing. No moving second hand counting down the minute/hour/day, no visible movement of the single hand. It is very cool. I was worried I wouldn’t be able to tell accurate time but I usually am within 3-4 minutes of the actual time when I glance at this watch. 2) Love the quality of
I really love this watch.

1) Love the 24 hour format. I like the sundial style approach to a day. Take a glance and you can tell about how much of the day has passed and how much you have left. Something about this approach to time is soothing. No moving second hand counting down the minute/hour/day, no visible movement of the single hand. It is very cool. I was worried I wouldn’t be able to tell accurate time but I usually am within 3-4 minutes of the actual time when I glance at this watch.

2) Love the quality of materials. The band is very thick. It is a bit stiff at first but pretty quickly starts to soften and become much more comfortable.

3) Love the face. Without a logo, it looks like a tachometer or gauge which I think is super cool. It is very minimalistic which I also love.

4) Love the interchangeable bands. Looking forward to getting one or two more bands to change up the look.

Thanks Slow for a great alternative watch to add to my collection!.


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17. Insta360 GO Action Camera + Sandisk 64GB SD Card + Spike

The Insta360 GO is a miniature action camera for everyday applications anywhere, anytime. Between the different mounting accessories supplied with it, including a magnetic pendant, the camera can be mounted virtually anywhere. You can wear it around your neck, clip it to your collar or skateboard, attach it to your dashboard, and much more. The Insta360 GO records video, audio, and photos to 8GB of internal storage and exports the content to your phone via a companion iOS/Android app.

The standard video is exported in 1080p25 Full HD resolution; meanwhile, you can also choose one-tap time-lapse, hyper-lapse, and other video modes. Video is captured with built-in Insta360 FlowState image stabilization, which uses an internal 6-axis gyro to smooth out your recordings. You can export photos in three different aspect ratios, each with a different resolution. In 1:1 aspect ratio, the resolution is 2560 x 2560 and in 16:9 it’s 2560 x 1440.

The free companion iOS/Android app can also be used for various remote functions as well as intuitive auto-editing of your video recordings. The camera comes built into a splash-proof case that lets you shoot in the rain. Also included is a Charge Case, which features an 800mAh battery. Although the camera has a built-in battery, the Charge Case provides an alternative power solution (and much more). Per charge, it lets you capture about 200 clips, each about 18 seconds.

The main feature of the Charge Case is that it’s the way to connect the camera to your phone for auto-transfer of videos and photos. The Charge Case has both Lightning and micro-USB connectors for iOS and Android phones. The camera inserts into the case and the case connects plug-and-play into your phone. Via the micro-USB connector, you can also interface with Mac and Windows computers for file transfer. Kit Includes: Insta360 GO Action Camera Sandisk 64GB SD card Spike Mount Cloth<

Insta360 GO Action Camera + Sandisk 64GB SD Card + Spike Mount + Cloth

  • TIMELAPSES FROM ANY ANGLE – Shoot fixed-perspective timelapses for hours at a time. No angle is out of reach. Find the perfect spot, set a shooting interval and capture the flow of time.
  • BUILT FOR THE HIGHLIGHTS – GO shoots 30- or 60-second clips at the press of the button — anytime, anywhere. Then it uses AI to help you find and edit your best shots.
  • THE WORLDS SMALLEST STABILIZED CAMERA – GO uses proprietary FlowState stabilization to keep your footage impossibly smooth. No gear. No hassle. Just buttery action that’s ready to share.
  • YOU DO THE LIVING GO DES THE EDITING – GO uses AI-powered FlashCut to find your best shots and edit them together on beat. FlashCut is trained to sort your shots by theme and quality, so you can spend more time capturing and less time fiddling.
  • SLOW-MO TO GO – GO shoots 100 frames per second so you can slow down the highlights. Even doing the dishes looks better in slow-mo.

17. slow Mo 08 – Swiss Made one-hand 24 hour watch –

Evolve the way you think about time. Slow watches were created to shift the way people read time so rather than focus on the second or the minute we produced an instrument that measures the moment. Slow does not describe a speed. It is a mindset that most of us somehow lost. As a result of our busy lifestyles, we often forget that we actually have a choice of how to live.

The slow watch (we named it slow Jo) is a subtle reminder that time is the most precious thing we have so we should enjoy everything we do and stop chasing every minute. In order to be a true symbol of this idea, the slow watch has only one hand that rotates once every 24 hours. It actually moves at half the speed of a normal watch, but allows you to see at one glance the progress of your entire day.

This slow way of showing the time requires using a Swiss precision GMT movement that actually has 4 hands and a date (the Ronda 505.24 Swiss Made), but to keep you focused we simply left out the other 3 hands. In accordance with the brand concept, purchasing a slow watch should be a stress free experience. It should be simple and not cost a fortune; that iss why slow watches can only be ordered online and will be shipped from the guys who do slow to you with nobody else in between increasing the price.

Have a great time and be slow…

slow Mo 08 – Swiss Made one-hand 24 hour watch – Silver with dark brown leather band

  • One-hand watch with Swiss 24 hour GMT movement
  • 100 meter water resistant case made of 316L stainless steel with fully integrated case back
  • Raised extra hardened K1 mineral glas with anti-reflective coating
  • Amazingly soft strap made of finest Italian calf leather
  • Sold directly from manufacturer to you without anyone in between; available only online
Most Frequently Asked Question:

1. Hi, may i know its running quartz or self winding movement

The slow watch uses a Swiss Quartz movement with 45 months battery life.

2. How long did your watch last? Mine stopped working after 18 months.

The battery should last longer, please send us an email to jo@slow-watches.com.

3. How easy is it to swap out the band for a different color one?

Just like any other watch nothing difficult

4. Is there an option for a black band?

Unfortunately we do not have this combination. All our watches are stored finished assembled in our warehouse. However you can order the black band separately too 🙂 Be slow
What Real Customers Say About This Product?

James says: “I really like it, especially the design of only having 1 hand and being a proper watch with 24 hrs on it. Not sure if it was worth 270$, tho. We’ll see how long it lasts.
I really like it, especially the design of only having 1 hand and being a proper watch with 24 hrs on it. Not sure if it was worth 270$, tho. We’ll see how long it lasts..

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I hope this list of the best slow mo camera was helpful. If you think I left out one that is important or have a suggestion for a future article, let me know in the comments below.

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